{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/692a0aa09b21443f855ba6a8/692a15d2635c16d6408b8275?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Casting Director: Casting Non-Professionals","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/692a0aa09b21443f855ba6a8/1764709278931-5722a66d-7aba-4045-a125-4e9f322eaa03.jpeg?height=200","description":"<p><em>Anatomy of a Scene</em> is a podcast where the people behind French film and TV walk us through their creative process.</p><p>In this episode, we talked to <strong>Julie Allione</strong> about her work on <strong><em>Wild Diamond</em></strong><em>,</em> and to <strong>Marlène Serour</strong> for <strong><em>The Worst Ones</em></strong>.</p><p><br></p><p>In this discussion, we explore the delicate art of casting with two women who have shaped some of France’s most striking recent films. First, Julie Allione, a casting director for more than 20 years. She talks with us about the search for Liane, the young woman at the center of<em> Wild Diamond</em> and about the ethics involved when you’re casting a teenage girl in a region marked by its own stereotypes. How do you look for truth without falling into cliché? And what responsibilities come with that?</p><p><br></p><p>We also speak with Marlène Serour, casting director on <em>The Worst Ones</em>, with a decade of experience. Marlène takes us inside the casting process for <em>The Worst Ones</em>, from finding teenagers in northern France during the constraints of COVID to what it really means to build a casting team.</p><p><br></p><p>An episode about intuition, responsibility, and the invisible work that shapes who we see on screen.</p><p><br></p><p>-----</p><p><br></p><p><strong><em>Anatomy of a Scene</em></strong> is produced and hosted by <strong>Jeanne Boëzec</strong></p><p>Music by <strong>Fanny Martin</strong></p><p>Editing and mixing by <strong>Fanny Martin</strong> and <strong>Jeanne Delplancq</strong></p><p>Artworks by <strong>Lisa Carpagnano</strong></p><p>Special thanks to <strong>Julie Allione</strong> and <strong>Marlène Serour</strong> for their participation</p><p>This podcast is commissioned by <a href=\"https://www.unifrance.org/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Unifrance</strong></a></p><p><br></p><p>Follow <strong>@myfrenchstories</strong> on <a href=\"https://www.instagram.com/myfrenchstories/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Instagram</strong></a><strong>, </strong><a href=\"https://www.facebook.com/myfrenchstories\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Facebook</strong></a><strong>, </strong><a href=\"https://www.youtube.com/unifrance\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>YouTube</strong></a><strong>, </strong><a href=\"https://www.tiktok.com/@myfrenchstories\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Tik Tok</strong></a><strong> </strong>and<strong> </strong><a href=\"https://www.threads.com/@myfrenchstories\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Threads</strong></a> to keep up with the latest news on French cinema and TV worldwide</p>","author_name":"UNIFRANCE"}