{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/692a0aa09b21443f855ba6a8/692a12a45cace2e2a5ec0cd0?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Screenwriter: Working as a Team","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/692a0aa09b21443f855ba6a8/1764709253691-99572c19-6dd3-4866-a940-8b43e7b283c6.jpeg?height=200","description":"<p><em>Anatomy of a Scene</em> is a podcast where the people behind French film and TV walk us through their creative process. </p><p>In this episode, we talked to <strong>Romane Bohringer</strong> about her work on <strong><em>Tell Her I Love Her</em></strong><em>, </em>and to <strong>Rebecca Zlotowski </strong>and <strong>Anne Berest</strong> about <strong><em>A Private Life</em></strong><em>.</em></p><p><br></p><p>In this discussion, we look at how stories take form, slowly, personally, sometimes unexpectedly.</p><p>With Romane Bohringer, we explore the shifting line between fiction and documentary in her new movie <em>Tell Her I Love Her</em>: how you adapt a book that lives inside you, and how much of your own story inevitably slips into the work.&nbsp;</p><p><br></p><p>Then we sat down to talk about <em>A Private Life</em> with Anne Berest and Rebecca Zlotowski, two friends who’ve turned collaboration into a kind of steady, shared rhythm. Together, we talked about what changes when you move from novels to screenwriting, from screenwriting to directing, and what friendship makes possible in a creative partnership.</p><p><br></p><p>An episode about the invisible gestures of storytelling, the ties that sustain us, and the unexpected paths through which ideas become stories.</p><p><br></p><p>-----</p><p><br></p><p><strong><em>Anatomy of a Scene</em></strong> is produced and hosted by <strong>Jeanne Boëzec</strong></p><p>Music by <strong>Fanny Martin</strong></p><p>Editing and mixing by <strong>Fanny Martin</strong> and <strong>Jeanne Delplancq</strong></p><p>Artworks by <strong>Lisa Carpagnano</strong></p><p>Special thanks to <strong>Romane Bohringer</strong>, <strong>Rebecca Zlotowski</strong>, and <strong>Anne Berest</strong> for their participation</p><p>This podcast is commissioned by <a href=\"https://www.unifrance.org/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Unifrance</strong></a></p><p><br></p><p>Follow <strong>@myfrenchstories</strong> on <a href=\"https://www.instagram.com/myfrenchstories/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Instagram</strong></a><strong>, </strong><a href=\"https://www.facebook.com/myfrenchstories\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Facebook</strong></a><strong>, </strong><a href=\"https://www.youtube.com/unifrance\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>YouTube</strong></a><strong>, </strong><a href=\"https://www.tiktok.com/@myfrenchstories\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Tik Tok</strong></a><strong> </strong>and<strong> </strong><a href=\"https://www.threads.com/@myfrenchstories\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Threads</strong></a> to keep up with the latest news on French cinema and TV worldwide</p><p><br></p><p>© 2025 UNIFRANCE – ALL RIGHTS RESERVED</p>","author_name":"UNIFRANCE"}