In this episode of Geektown Talks To…, Dave sits down with composer Greg Nicolett, whose work spans Disney animation, award-nominated game scores, sci-fi pilots and experimental live action projects. Greg talks about blending orchestral writing with unexpected sounds, from kazoos and chipmunk-style vocals in Dr. Seuss’s The Sneetches, to amplified cellos and duduk in Talon, and even a bowed one-string guitar for the horror feature Dead of Night.
Greg shares how a viral collaboration with Shia LaBeouf led him into Disney’s animation world, how he approaches world-building through music, and why video games offer a unique creative space. He also discusses the influence of composers such as John Williams and Trent Reznor, the challenge of scoring emotionally dark material while raising a family, and his ongoing search for new sonic ideas.
If you enjoy this interview, you can hear more behind-the-scenes conversations right here on Geektown Talks To…, as well as weekly TV news and reviews on Geektown Radio, and deep dive storytelling on Geekstorians, our documentary podcast exploring the history of geek culture.
Listen, subscribe and explore more at Geektown.co.uk.
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