'The Cotton Club' was supposed to be Robert Evans’ big comeback... Instead, it became the movie that finally took him down - and nearly dragged Francis Ford Coppola with him. Chris and Lizzie break down how Evans' desperation to make the film led to shady financing, a baffling creative curveball from Richard Gere, and a production so chaotic that an actual mobster came on board as a line producer.
Even though 'The Cotton Club' began as a story highlighting the racial inequalities of the actual nightclub, it became a film that marginalized its own black talent. Find out why it took Coppola 30 years to correct this mistake, finally allowing Gregory and Maurice Hines to steal the show.
Make sure you listen to our Out of Frame episode on The Cotton Club Murder first as a primer for this episode!
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