{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/68de580c52ddd4d4572281cb/69f1c064f8c66377378f11e1?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Ben Lerner on the breakdown of American speech","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/68de580c52ddd4d4572281cb/1777450914822-5c9dc19b-1d6b-4c8c-a325-ef80a14a1711.jpeg?height=200","description":"<p>In 2011, Ben Lerner stormed onto the scene with his debut novel, Leaving the Atocha Station, a winning blend of low comedy and high art. He has since firmly established himself as one of America’s most acclaimed novelists and is a leading voice in so-called autofiction. Now he returns with his fourth novel, and it may be his most profound yet.&nbsp;</p><p>&nbsp;</p><p>In&nbsp;<em>Transcription</em>, Lerner turns his mind to the nature of art, and of ageing. It’s a novel about generations, of growing children, and dying forebears, and the way the secrets and gifts of life and art move from one era to the next.&nbsp;</p><p>&nbsp;</p><p>It’s also a novel about technology, and our increasing reliance on it, the way it shapes our speech, our thoughts, our memories and even our conceptions of ourselves.</p><p>&nbsp;</p><p>In this episode, Tanjil Rashid sits down with Ben Lerner to talk about how we record our conversations, why novels may matter even more in the age of AI, and - in his words - the bankruptcy of political speech.</p>","author_name":"New Statesman"}