{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/68de580c52ddd4d4572281cb/69d563942a193257ad84922c?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"George Saunders has no faith in Christian nationalism","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/68de580c52ddd4d4572281cb/1775592254065-2b04e5b0-a5aa-4b43-8331-8d6edf33ddfc.jpeg?height=200","description":"<p>For decades, George Saunders was known for his short stories. In 2013, in a Time Magazine 100 most influential people listing, he was described as “the best short-story writer in English\".</p><p><br></p><p>In 2017, he released his first novel, Lincoln in the Bardo, a reimagining of President Abraham Lincoln’s grief in the aftermath of his son Willie’s death. It’s a genre-defying piece of literature, narrated by no less than 166 ghosts.&nbsp;</p><p><br></p><p>The bardo is a concept borrowed from Saunders ’ adopted faith, Buddhism—an \"intermediate state\" between death and reincarnation.</p><p><br></p><p>In his latest novel, Vigil, Saunders returns to the in-between - this time through a dying oil barron, grappling with his morality at the 11th hour in a burning world.</p><p><br></p><p>Tanjil Rashid sat down with George Saunders  to discuss faith: in his writing, as a means of optimism, and as a political weapon in today’s world.</p><p><br></p><p><br></p>","author_name":"New Statesman"}