We would like to apologise for the delay in transmission of episode twelve of Sophie Aldred’s Ace Odyssey.
Due to what engineers are describing as “an entirely avoidable wormhole incident,” the episode was accidentally redirected to the 2nd of June, 1953.
The Bi-Galactic Broadcasting Company would like to assure all listeners that normal service has now resumed, whatever “normal” currently means!
Set aside whatever temporal maintenance you are currently attempting (successfully or otherwise), ensure all nearby clocks are proceeding in the correct direction, and make yourself comfortable as we once again step aboard the venerable Nosferatu 2.5, a ship of such considerable age and personality that several of its systems now appear to operate according to folklore, emotional memory, and whatever wiring Mrs C last threatened with a spatula. With Sophie Aldred at the helm, our voyage continues through nostalgia, narrative instability, and those curious moments where performance and reality become almost impossible to separate.
This week, the Time Scoop stays silent but, nevertheless, we find ourselves in the presence of none other than Bonnie Langford, actor, singer, dancer, and one of the most enduringly beloved figures in the wider Doctor Who universe. A performer whose career began astonishingly young and has spanned theatre, television, music, and live entertainment with seemingly inexhaustible energy, Bonnie has become synonymous with versatility, resilience, and reinvention. From West End stages to prime-time television, from Cats to Chicago, and from companion Melanie Bush’s first adventures to her triumphant modern return, Bonnie’s journey through performance has been one of remarkable longevity and constant evolution. Once Hobbes has reluctantly grumbled about noises “indicative of narrative misbehaviour,” Bonnie joins Sophie upon the Sofa of Infinite Understanding for a conversation rich in memory, laughter, survival, and the peculiar alchemy of growing up in public whilst somehow remaining gloriously yourself.
No excursion aboard the Nosferatu 2.5, however, would be complete without another immersion into the strange and shimmering tides of the Ffantaface, that endlessly shifting archive where fandom, identity, and imagination collide. Presiding over proceedings, naturally, is Mrs C, the Cockney goldfish, whose telepathic commentary remains gloriously direct and only occasionally actionable under intergalactic law. This week’s guide through the Ffantaface is Jordan Winn: filmmaker, advocate, and passionate voice for autism awareness, whose work combines creativity, honesty, and a deep affection for Doctor Who and the communities it inspires. Through filmmaking, online outreach, and thoughtful discussion around neurodiversity and representation, Jordan explores the power of storytelling not merely as entertainment, but as connection. A way of understanding ourselves and one another a little better. Together, Jordan and Sophie discuss creativity, fandom, perspective, and the importance of spaces where difference is not merely accepted, but celebrated.
And somewhere, deep within the shifting corridors of the ship… the door begins to open!
You can find us all over your social media.
Bluesky/Instagram/X: @aceodyssey63
Facebook: Sophie Aldred's Ace Odyssey
Jordan's Instagram: @jordanactorw
For listeners who want even more adventure, you can step inside the Ace Odyssey Patreon Community-
*Episodes released early
*Two exclusive podcasts every month
*Online meet-ups and interactive events
*Direct involvement in the evolving universe of the show
www.patreon.com/aceodyssey
Sophie Aldred's Ace Odyssey stars Sophie Aldred with James Showers as Hobbes.
Special Guests- Bonnie Langford and Jordan Winn
Music, Sound Effects, Sound Design and Post Production by Michael Livesley
www.michaellivesley.co.uk
Programme Assistant Liz Whitmore
Written, Produced and Directed by Paul Carmichael
Sophie Aldred’s Ace Odyssey is an Eh? Aye! Production © 2026
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