{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/68d14b23b8df1e3eddbb170a/6a330dc5a43c1651f4782329?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"DISCLOSURE DAY/BACKROOMS REVIEWS","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/68d14b23b8df1e3eddbb170a/1781730392663-8369c582-3c09-41ad-9787-3daf8ff943c2.jpeg?height=200","description":"<p>Steven Spielberg and Kane Parsons. Film makers generations apart, but both create incredible worlds, whether given $115 million or $10 million. Roger Crow sat through Disclosure Day and Backrooms in a long overdue cinematic double bill. Here’s his reviews, plus a few self-penned songs. </p>","author_name":"Roger Crow"}