{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/68c60584ac97a487df8827c4/6a7e119eff328abd8436f23d?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Alex Kuno - EP234 - The Creative Asylum","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/68c60584ac97a487df8827c4/1786646706687-46fbda35-0796-43b8-a23e-8c3cac5fc711.jpeg?height=200","description":"<p>Working out of his studio in the Arts District of Saint Paul, Minnesota, Alex Kuno has spent over two decades building a visual language all his own. Alex's figures look like they wandered out of a medieval medical textbook and into a fairy tale gone strange. His characters sprout, mutate, and dissolve into hybrid states — part specimen, part storybook creature, wild and often as organic as the flora in the frame.&nbsp;&nbsp;</p><p><br></p><p>Kuno works primarily in oils these days, but we discuss a time in his development when he was experimenting with watercolor and colored-pencils as well as with acrylic. Adam Jones from TOOL noticed Kuno's remarkable work and has used his images on over a dozen concert posters.</p><p><br></p><p>Alex Kuno has one of the most distinct visual styles in contemporary lowbrow and pop-surrealist art. It's dark, but maintains an element of humor, and it never quite explains itself. This is a conversation about making weird, personal work and building a career out of a life that is dedicated to making art.&nbsp;</p>","author_name":"Daniel House"}