{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/68c2a2abaca3521c764f155c/6a2078a644a383b494dba528?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Yellow just isn't my colour | Backrooms Movie Review","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/68c2a2abaca3521c764f155c/1780512398375-59618721-8d7a-4bf4-ab5b-d8dbca9a1afc.jpeg?height=200","description":"<p>Welcome back to Solo Movie Dates, this week Natalie deep dives into the 2026 A24 sci-fi psychological horror, <strong>Backrooms</strong>.</p><p>We also discuss my week of <strong>rehearsing with my choir</strong> and <strong>seeing an amateur dramatic production of On The Town</strong>. <strong>TATU solos</strong>, <strong>dance breaks</strong>, and the <strong>struggles of standalone films relying on YouTube lore</strong>.</p><p><br></p><h2>Episode Timestamps</h2><p>00:00 Introduction to Solo Movie Dates</p><p>00:46 Natalie's Week</p><p>08:47 Backrooms gut reaction</p><p>22:38 What are the Backrooms?</p><p>29:20 Clarke &amp; Pirate Clarke</p><p>41:14 Mary's story</p><p>51:10 Missing Pieces of the movie</p><p><br></p><p>Directed by Kane Parsons and written by Will Soodik, <strong>Backrooms</strong> is a tense, liminal 2026 psychological horror thriller that expands a viral internet phenomenon into a feature-length descent into madness. The film follows Clark (Chiwetel Ejiofor), a struggling furniture store owner and failed architect who discovers an invisible portal in his basement leading to an unsettling, endless maze of fluorescent-lit, yellow rooms. When Clark vanishes into the dimension, his therapist, Dr. Mary Kline (Renate Reinsve), investigates his disappearance, only to find herself trapped alongside him in a twisted reality populated by distorted, mimicking entities—including the towering, grotesque \"Pirate Clark\" (Robert Bobroczkyi). Produced by A24 and Chernin Entertainment, this indie box-office juggernaut relies on slow-burn psychological dread and massive practical sets, making it a must-watch for fans of creepypasta lore, atmospheric existential terror, and surreal horror cinema.</p>","author_name":"Natalie"}