{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/68c2278605de5daa22c77302/6a5719977e01c44e38d3848a?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"If I Fell Backward, Someone Would Catch Me — with Mama Kin Spender","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/68c2278605de5daa22c77302/1784093022749-38198f2a-62e3-4cf8-b73f-4b697c7199b2.jpeg?height=200","description":"<p><em>\"Our job as songwriters is not to ask people to feel better — it's to get better at feeling.\" — Dingo Spender, Mama Kin Spender</em></p><p>Mama Kin Spender are Danielle Caruana and Dingo Spender — a duo flung to opposite sides of the country who make music by getting on planes, meeting somewhere in the middle, and going into the dark corners together to find the gold. Their 2025 album <em>Promises</em> debuted at number two on the ARIA Australian Albums Chart and was nominated for Best Blues and Roots Album at the 2025 ARIA Awards.</p><p>This episode was recorded live at the 2025–26 Woodford Folk Festival, just hours after Mama Kin Spender played the Amphigrande. It's hosted by Jordan Royal stepping into the chair for Radio Woodfordia.</p><p>Mama Kin opens with the observation that Woodford is one of those rare festivals that grows artists — the audience buys tickets before the program is released, trusting the programmers and trusting the experience, which means artists can bring their most vulnerable material and know the room will catch them. Dingo describes Woodford as a place where, if you fell backward, someone would catch you and buy you a delicious meal and sing you a song.</p><p>They talk about <em>Promises</em> — how some of its threads existed as far back as 2019, how the songs were already there, waiting — not for words alone, but for music, rhythm, the body to fully understand itself. How the song that became their North Star felt at first like a sewer main, and turned out to be the truth.</p><p>They talk about what it means to make music as two people on opposite ends of the country — the limitation as its own kind of grace, the trust that lets you go for things that are harder to reach, the creative producer who holds the space until you get to the hot spot. </p><p>And they talk about what they're carrying into the new year. Joy — not as a blinder against grief, but as its equal. The realisation that being achingly human is itself an act of resistance. And Dingo's question for whatever comes next: what would the soundtrack to joy sound like?</p><p>This episode is for:</p><ul><li>Anyone who makes things with another person and knows what it costs and what it gives</li><li>People who have ever wondered whether it's okay to feel joy when the world is breaking</li><li>Woodford devotees — and anyone who wants to understand why this festival means what it means to the artists who keep coming back</li></ul><p>Dive in to hear about:</p><ul><li>Mama Kin on Woodford as a festival that grows artists — and why she wants to play here until she can't anymore</li><li>Dingo's first Woodford: four or five gigs in a day, running between stages without putting his saxophone down</li><li>The full family Woodford — the year Mama Kin, Dingo, John Butler, and Mama Kin's daughter all played gigs, the same kid who was in nappies backstage at her mum's first festival</li><li>The writing house, the songs that were waiting for language, and the track that felt like a sewer main and turned out to be the truth</li><li>What a great music producer actually does — and why their creative friendship is the container that lets them go into the dark corners</li><li>Joy as practice, grief as fuel, and why being achingly human is the game worth playing</li></ul><p>Key topics: Mama Kin Spender, Danielle Caruana, Dingo Spender, Promises album, ARIA Awards, Woodford Folk Festival, songwriting, creative collaboration, folk soul, Australian music, joy, grief, community</p><p>To come to the Woodford Folk Festival this year visit:<a href=\"https://woodfordfolkfestival.com/\" rel=\"noopener noreferrer\" target=\"_blank\"> https://woodfordfolkfestival.com/</a></p><p>FOR MORE:</p><p> Harley Breen:<a href=\"https://www.harleybreen.com.au\" rel=\"noopener noreferrer\" target=\"_blank\"> https://www.harleybreen.com.au</a></p><p> Mama Kin Spender:<a href=\"https://mamakinspender.love\" rel=\"noopener noreferrer\" target=\"_blank\"> https://mamakinspender.love</a></p><p> Instagram:<a href=\"https://www.instagram.com/mamakinspender\" rel=\"noopener noreferrer\" target=\"_blank\"> https://www.instagram.com/mamakinspender</a></p><p> Facebook:<a href=\"https://www.facebook.com/mamakinspender\" rel=\"noopener noreferrer\" target=\"_blank\"> https://www.facebook.com/mamakinspender</a></p><p> Jordan Royal:<a href=\"https://www.instagram.com/j0rdanroyal/\" rel=\"noopener noreferrer\" target=\"_blank\"> https://www.instagram.com/j0rdanroyal/</a></p><p>CREDITS: Host: Jordan Royal | Guests: Danielle Caruana and Dingo Spender of Mama Kin Spender | Executive Producer: Benny Wallington, Bree Hickson-Jamieson | Producers: Amelie Barham, Benjamin 'Tofty' Toft, Georgia Shaw, Madeleine Corcoran | Video Editing: Nick Haddow | Music by: The East Pointers | Recorded on Jinibara Country </p><p><br></p><p><br></p><p><br></p>","author_name":"Woodfordia INC"}