{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/68b9bc932d913bd3304d150c/6aedf173f447607cd64b9bae?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Who’s Really in Control of the Creative?","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/68b9bc932d913bd3304d150c/1793978839587-6387410f-af41-401a-a409-311822924568.jpeg?height=200","description":"<p>Adidas is putting a curve on its three stripes. Burger King is putting marathon runners in giant drink cups. And Canva wants AI-generated design to stay editable. There’s plenty to unpack. </p><p><br></p><p>On Episode 23 of The Owlgorithm, we’re looking at the brand moves, creative work, and AI tools catching our eye and asking what actually holds up beyond the announcement. </p><p>On the rundown: </p><ul><li>Adidas&#39; curved stripes: a new identity direction or a product-design detail getting legal protection? </li><li>USA Track &amp; Field’s refreshed identity: how much should change before a home Olympics? </li><li>Burger King’s marathon cold plunge: turning a familiar brand asset into an experience. </li><li>Canva Brush: Does editable AI give designers more control over the output? The AI agent race: who do you trust to act on your behalf? Beware of the dupe, plus lessons from the week and an open-floor Q&amp;A.</li></ul>","author_name":"Cultura Talks"}