{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/68b1d0ea993d10acb9c3fe4f/6ac65ce87961f84f97b57345?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"\"I Am a Camera\": John Wilson on Magic Tricks, Nathan Fielder and How to Make a Documentary","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/68b1d0ea993d10acb9c3fe4f/1791412213122-e24b38bd-cc47-4fa5-bc29-b0a2934cf5d0.jpeg?height=200","description":"<p>In a crumbling empire of ludicrous wealth and slop, filmmaker John Wilson keeps showing us what it means to be human — even (and especially) when that involves poop and/or circumcision. The director of &quot;The History of Concrete&quot; sits down with Pablo to contemplate how A.I. is forcing Hollywood&#39;s hand, what Nathan Fielder (and the Hallmark Channel) taught him about storytelling, and why art can live in peaceful conflict with the demands of reality and journalism. Plus: Tim Tebow in the Philippines, Dwyane Wade in an elevator... and balloon fetishists.</p><p><br></p><p>• See <u><a href=\"https://www.magpictures.com/thehistoryofconcrete/\" rel=\"noopener noreferrer\" target=\"_blank\">&quot;The History of Concrete&quot;</a></u></p>","author_name":"The Athletic"}