This week on The Conversation, Nadine Matheson dives deep with author Stig Abell to discuss his gripping new novel, A Twist in the River. In this episode, Stig shares his journey from journalism to fiction writing, revealing how his experiences have shaped his storytelling and the themes he explores in his work.
Stig tells the story of how he accidentally became a crime novelist, writing for pure pleasure during COVID lockdown, emailing chapters to his wife each evening so she could read them in the bath. He never planned to publish. Then someone bought it.
We talk about what it's actually like inside the writing process: why Stig loves the first draft most (when no one is judging you), what it took to delete 40,000 words on his editor's advice, and why imposter syndrome never fully goes away even when you're on your fifth book.
The conversation takes a darker turn when we get into AI. Stig makes a compelling and unsettling case for why white-collar jobs — law, accountancy, publishing — face serious disruption within years, and raises the question: will publishers eventually use AI to cut out writers altogether? Are books heading the way of vinyl?
We also explore how the rise of true crime YouTube and social media is changing crime fiction, the law, and community grief and how both of us are weaving these shifts into our work.
Stig closes with the best piece of advice he'd give his younger self: \"Don't worry so much. It's going to happen anyway.\"