{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/689a1216880401ed579f58f3/689cb3ed436325e278df6d6b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Museum of Witchcraft & Magic (MI5, Charged Objects, & Simon Costin)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/689a1216880401ed579f58f3/1764025390053-35d059d8-f399-485a-9a1c-ddd6bcf0aa11.jpeg?height=200","description":"<p>This week, the&nbsp;<strong>Wyrdo's</strong>&nbsp;continue their journey in Cornwall with a very special guest:&nbsp;<strong>Simon Costin</strong>, the director of the incredible&nbsp;<strong>Museum of Witchcraft and Magic</strong>. Simon welcomes Craig and Andy into the museum's archive to discuss the institution's fascinating history, its core mission, and his own personal journey working with objects of power.</p><p><br></p><h3><strong>MI5, Wicca, and a Contentious History</strong></h3><p>Simon reveals the museum was founded in 1951 by a former&nbsp;<strong>MI5 spy named Cecil Williamson</strong>. He explains how Cecil's goal of balancing sensationalist displays with genuine artefacts led to a clash with the well-known practitioner&nbsp;<strong>Gerald Gardner</strong>, who wanted to use the museum to promote his belief system of&nbsp;<strong>Wicca</strong>.</p><h3><br></h3><h3><strong>The Archive's Mission: Categorisation and Charging</strong></h3><p>Simon discusses how the museum's mission has evolved from a \"cabinet of curiosities\" to a more academic and nuanced collection. He explains his belief that&nbsp;<strong>magical objects don't like to be categorised</strong>&nbsp;and his belief that some artefacts require regular \"<strong>charging</strong>\" or ritual practice to retain their energy—a unique aspect of curatorial work that began after the&nbsp;<strong>2004 Boscastle floods</strong>. He shares that while he isn't unsettled by the objects, a&nbsp;<strong>Japanese blasting rod</strong>&nbsp;is something he avoids having pointed at him.</p><p><br></p><h3><strong>The Uncanny &amp; The Spider's Web</strong></h3><p>The conversation explores the nature of the uncanny and its connection to magic and belief. Simon shares his own paranormal experiences at his home and tells the story of a&nbsp;<strong>recurring spider's web</strong>&nbsp;that prevents the museum's security cameras from capturing any strange activity.</p><p><br></p><h3><strong>The Bottom-Up Museum</strong></h3><p>Simon discusses his separate, long-term project to establish the&nbsp;<strong>UK's first museum dedicated to seasonal customs and events</strong>—the&nbsp;<strong>Museum of British Folklore</strong>. He explains the challenges of creating a \"bottom-up\" museum where the knowledge comes from the people and the traditions are constantly evolving.</p><p>Stay Wyrd!</p><p><br></p><p><a href=\"https://open.acast.com/www.wyrdwessex.co.uk\" rel=\"noopener noreferrer\" target=\"_blank\">www.wyrdwessex.co.uk</a></p><p><br></p><p>Buy our merch <a href=\"https://www.redbubble.com/people/saxonforageruk/shop?asc=u\" rel=\"noopener noreferrer\" target=\"_blank\">here</a></p><p><br></p><p>Written by Craig Brooks and hosted by Craig Brooks and Andy Stevens</p><p>Edited by Craig Brooks</p><p><br></p><p>Intro music by Leonell Cassio - The Paranormal Is Real (ft. Carrie)</p>","author_name":"Craig Brooks"}