{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6890d5729e1c130995396b5c/6a3dca1826d5a6687a676269?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Acting Shakespeare's Sonnets","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6890d5729e1c130995396b5c/1782434967293-f418c1bc-bd34-4c24-a68d-f297d502c91a.jpeg?height=200","description":"<p>Today I'm delighted to introduce my first guest speaker, professor and theater director Leslie Reidel.  Leslie shares his strategy of using Shakespeare's sonnets as training exercises for professional and student actors.</p><p><br></p><p><strong>Resources:</strong></p><p><br></p><p>Shakespeare, William. Sonnet 29 (\"When in disgrace with fortune and men's eyes\"). <a href=\"https://www.poetryfoundation.org/poems/45106/sonnet-116-let-me-not-to-the-marriage-of-true-minds\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.poetryfoundation.org/poems/45106/sonnet-116-let-me-not-to-the-marriage-of-true-minds</a></p><p>---. Sonnet 71 (\"No longer mourn for me when I am dead\"). <a href=\"https://www.poetryfoundation.org/poems/45098/sonnet-71-no-longer-mourn-for-me-when-i-am-dead\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.poetryfoundation.org/poems/45098/sonnet-71-no-longer-mourn-for-me-when-i-am-dead</a></p><p>---. Sonnet 116 (\"Let me not to the marriage of true minds\"). <a href=\"https://www.poetryfoundation.org/poems/45106/sonnet-116-let-me-not-to-the-marriage-of-true-minds\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.poetryfoundation.org/poems/45106/sonnet-116-let-me-not-to-the-marriage-of-true-minds</a></p><p><br></p><p><strong>Leslie Reidel:</strong></p><p><br></p><p><a href=\"https://www.udel.edu/academics/colleges/cas/units/departments/theatre-and-dance/our-people/leslie-reidel/\" rel=\"noopener noreferrer\" target=\"_blank\">Leslie Reidel </a>is a professor of theater at the University of Delaware, where his projects with the <a href=\"https://www.udel.edu/academics/colleges/cas/units/departments/theatre-and-dance/resident-ensemble-players/\" rel=\"noopener noreferrer\" target=\"_blank\">Resident Ensemble Players </a>have included <em>Love Letters, The Little Foxes, </em>and Shakespeare's <em>Macbeth.</em></p><p><br></p><p>He was a founding member of the <a href=\"https://www1.udel.edu/researchmagazine/issue/vol3_no1_humanities/worlds_a_stage.html\" rel=\"noopener noreferrer\" target=\"_blank\">Professional Theater Training Program</a> at the University of Wisconsin-Milwaukee and the University of Delaware.</p><p><br></p><p>His directorial credits include the Walnut Street Theater, Milwaukee Repertory Theater, the Madison Civi Rep, and the Utah, Colorado, and Fort Worth Shakespeare Festivals.</p><p><br></p><p>He is the Co-Artistic Director of Philadelphia's <a href=\"https://theatrephiladelphia.org/whats-on-stage/theatre-companies/enchantment-theatre-company\" rel=\"noopener noreferrer\" target=\"_blank\">Enchantment Theatre Company.</a> And he has recently directed the Two Gentleman of Verona Project with undergraduates at the University of Delaware.</p><p><br></p><p><strong>Music licensed through Soundstripe:</strong></p><p>“Feather and Stone.”&nbsp;Code: NHFB28SBGNWXPEVW, </p><p><br></p><p><br></p>","author_name":"DYV Media"}