{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6888dda8e0a86cc3ab36f742/6a593029461a6a4190dd06f5?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Writing a Novel a Year, Every Year with CATHERINE CAVENDISH","description":"<p>She once deleted a character she genuinely loved — a warm, likeable hippie who was lovely in every scene — because \"lovely\" was all he ever did. His lines worked better coming out of someone else's mouth, so out he went. It's the kind of ruthless edit that separates a hobbyist from someone with fifteen-plus years and dozens of books behind them, and it's exactly the mindset this week's guest brings to every draft.</p><p><br></p><p>Catherine Cavendish writes suspense fiction steeped in the supernatural, paranormal, and gothic — ghost stories that make you check the locks twice. Her new novel, <em>Ghost of Chantelands</em>, arrives via Flame Tree Press on 18th August 2026, joining a catalogue that includes <em>Dark Observation</em>, <em>The Haunting of Henderson Close</em>, and her <em>Nemesis of the Gods</em> trilogy through Crossroad Press. Her path started with typewriters, carbon paper, and parcels of manuscripts posted off to publishers decades ago — and she's still hitting a 2,000-word daily target on first drafts today.</p><p><br></p><p>We get into her no-outline \"pantser\" process (where the first draft runs to 70–80,000 words and functions as her actual outline), the real otters and a <em>Country Life</em> property listing that became the seed for <em>Ghost of Chantelands</em>, and why she believes a good ghost story needs the haunted place to function as a character in its own right. We also talk about her decades-long relationship with editor Don D'Auria, why she refuses to write happy endings, and her genuine, unfiltered love of <em>Rosemary's Baby</em>.</p><p><br></p><p>🎙️ What we get into:</p><p><br></p><ul><li>Her one-novel-a-year publishing cycle, and the research, drafting, and beta-reading process behind it</li><li>Why she still hits a firm 2,000-word daily target on first drafts — and cuts thousands of words without hesitation when a scene doesn't earn its place</li><li>Cutting a character she loved because he was \"lovely\" and did nothing for the plot</li><li>How two real otters at a wildlife centre and a <em>Country Life</em> magazine property listing became the haunted house at the centre of her new novel</li><li>Her \"pantser\" approach — no outline, no chapter notes, just character and setting, then typing to keep up with the story</li><li>The stone tape theory, and why she believes the best ghost stories treat the haunted location as a character</li><li>Her four-decade publishing journey — from typewritten submissions in the 1970s to Sam Hain Publishing, Don D'Auria, and Flame Tree Press</li><li>Why she deliberately avoids gore in favour of atmosphere, suspense, and dread</li><li>Advice for her earlier self on staying in the game for the long haul, including her old English teacher's mantra: \"be positive, even if you're wrong, be wrong positively\"</li><li>Her love of Ira Levin's <em>Rosemary's Baby</em> and how it shaped her sense of a faithful book-to-film adaptation</li></ul><p><br></p><p>Links &amp; Resources:</p><p><br></p><ul><li>Catherine Cavendish: <a href=\"https://catherinecavendish.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://catherinecavendish.com</a></li><li>Flame Tree Pressll</li><li><em>Rosemary's Baby</em> by Ira Levin</li><li><em>Creature</em> by Hunter Shea</li><li>Litopia https://litopia.com/</li></ul><p><br></p><p>Subscribe to The Writer's Chair</p><p>If you enjoyed this conversation, please subscribe, leave a review, and share it with a fellow writer.</p><p>📺 Watch on YouTube: <a href=\"https://www.youtube.com/@willcocksauthor\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.youtube.com/@willcocksauthor</a></p><p>🎧 Listen on your favourite app: <a href=\"https://pod.link/1829723468\" rel=\"noopener noreferrer\" target=\"_blank\">https://pod.link/1829723468</a></p><p>🖥️ Find out more: <a href=\"https://danielwillcocks.com/thewriterschair\" rel=\"noopener noreferrer\" target=\"_blank\">https://danielwillcocks.com/thewriterschair</a></p><p><br></p><p>📚 About Catherine Cavendish</p><p><strong>Catherine Cavendish</strong> writes suspense fiction steeped in the supernatural, paranormal, and Gothic — the kind of ghost stories that make you check the locks twice.</p><p>Her new novel, <em>Ghosts of Chanterlands</em>, lands via Flame Tree Press 18 August 2026, joining a haunting catalogue that includes <em>Dark Observation</em>, <em>The Haunting of Henderson Close</em>, and her Nemesis of the Gods trilogy, published through Crossroad Press.</p><p>When she's not writing, Catherine wanders Neolithic stone circles and explores old haunted houses — research that clearly bleeds into her fiction. She lives with a long-suffering husband and a black cat who still expects to be worshipped.</p>","author_name":"Daniel Willcocks"}