{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/68825d74498abee416853f51/6924b54320344a04135dc008?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Planning an International Shoot","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/68825d74498abee416853f51/1764013340509-9fa979d1-c416-47ba-aeb3-ccd67ff5d35a.jpeg?height=200","description":"<p>Toronto and Yellowknife-based filmmaker Lesley Johnson shares insights from producing \"And Still I Sing,\" a documentary following young Afghan singers under pop</p><p>star Aryana Sayeed's mentorship as the Taliban returned to power. She discusses the unique challenges of coordinating international productions in politically volatile</p><p>situations, from establishing safety protocols and crisis management strategies to working with local fixers and protecting subjects who face severe restrictions. Learn how</p><p>to assess project viability for international shoots, navigate cultural sensitivity as an outsider documentarian, and balance the ethical considerations of filming stories that</p><p>could put subjects at risk while maintaining documentary integrity.</p>","author_name":"Documentary Organization of Canada"}