{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/68700d79610560d3ef0bafa9/69d017d6f44b357ce9b5948d?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"'Godzilla vs. Biollante' with Katie Rife","description":"<p>At the end of the 1980s Godzilla needed to solidify his comeback. After a few years of silence, the big lizard had made a return with 1984's appropriately named <em>The Return of Godzilla </em>(re-edited and renamed <em>Godzilla 1985</em> in the U.S.). a film that played it safe by taking Godzilla back to basics. It performed well, but that didn't necessarily mean that Godzilla could thrive in the changed, blockbuster-heavy environment in which he now found himself. The second film in what's come to be known as Godzilla's Heisei Era, <em>Godzilla vs. Biollante</em> both incorporated scenes nodding to '80s action movies and introduced a novel threat in the rapidly evolving plant-based antagonist Biollante.</p><p><br></p><p>Film critic Katie Rife, whose work has appeared at <em>RogerEbert.com</em>, <em>Indiewire</em>, <em>The A.V. Club</em>, <em>Letterboxd</em>, <em>Vulture</em> and elsewhere joins <em>The Laser Age</em> to talk about his unusual turning point film in the penultimate installment of a season dedicated to giant animals (and, in this case, plants.)  No stranger to the world of Godzilla, Katie helps put this strange, melancholy installment in its historical context.</p>","author_name":"Keith Phipps"}