A country retreat should be peaceful. Unless every man you meet has the same face, the same blame, and eventually, rather more birth canal than anyone ever asked for!
Episode summary
Alex Garland’s Men follows Harper, played by Jessie Buckley, as she retreats to a rural house after the violent death of her husband. What looks like a healing break quickly becomes an unnerving confrontation with grief, guilt and a village full of men, all played by Rory Kinnear, who seem to embody different shades of male threat, blame and entitlement.
Andy, Dave and David are split on how well it works. David finds a lot to admire in the film’s attempt to explore trauma from a woman’s perspective, reading the house as Harper’s head and the male characters as psychological archetypes rather than literal villagers. Dave is intrigued but kept at arm’s length by the film’s allegorical style, feeling that the lack of reality also reduces the sense of jeopardy. Andy is the least convinced, praising the performances and visuals but finding the film heavy handed, especially once the final act starts birthing Rory Kinnears like a cursed Russian doll.
On the folk horror question, the verdict is clear but nuanced. Men uses folk horror imagery beautifully, with the Green Man, fertility carvings, old houses, rural isolation and ancient symbolic weight all doing plenty of atmospheric work. But the hosts land on it being dressed in folk horror rather than truly being folk horror. The threat is not the land or the community. It is Harper’s trauma, guilt and the men in her head.
Final score: 15 out of 30.
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