{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6859c85ac95a56eb6a774829/6938bd776957d1e181f9db2e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Why do we love real couples on stage? | Thoughts on audience reactions to genuine theatre romance","description":"<p>Mickey-Jo has been thinking recently about why it is that theatre audiences seem to be enamoured with the notion of seeing a real life couple performing together onstage, even though they're portraying characters other than themselves.</p><p><br></p><p>The answers may seem obvious, but there is some nuance to uncover here as we consider the various different ways in which a couple can perform together - as lovers, enemies, or even divorcees.</p><p><br></p><p>In the last few months, this has seemed to become more frequent, with Andrew Barth Feldman and Helen J Shen in Maybe Happy Ending, Carrie Hope Fletcher and Joel Montague in Elf, and Eva Noblezada and Reeve Carney in Cabaret.</p><p><br></p><p>Check out some of the other examples and share your own thoughts about why this feels so appealing to audiences in the comments!</p><p><br></p><p>•</p><p><br></p><p>00:00 | introduction</p><p>03:28 | falling in love</p><p>11:46 | enemies to lovers</p><p>18:29 | married / divorced </p><p>27:37 | non-romantic</p><p>35:35 | conclusion </p><p><br></p><p><br></p>","author_name":"MickeyJoTheatre"}