{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6835905c2780b226c72e9d0d/6ac7a5e768b7ce6ffb3e6afd?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Mishka Rushdie Momen: Where is the boundary between sacred and secular music?","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6835905c2780b226c72e9d0d/1791468152831-b6ca2f32-e6c4-43aa-af51-726982cd5f00.jpeg?height=200","description":"<p>On this episode of Holy Smoke, Damian Thompson is joined by British pianist Mishka Rushdie Momen to explore the extraordinary musical world of 18th-century France - where religion, courtly spectacle and music were deeply intertwined.</p><p>They discuss the music of François Couperin, Jean-Philippe Rameau and the pioneering composer Élisabeth Jacquet de La Guerre, as well as the unlikely connection between Catholic and Protestant composers. </p><p>They also ask whether the Church has lost its musical vernacular; and whether the sacred music of the Baroque could have a place in churches today.</p><p>Produced by Abigail Brierley. </p>","author_name":"The Spectator"}