{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/68358fb5e1abc4be6b0308eb/6842ce281dd9d3b33f89ae11?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Holy Smoke: finding spiritual treasure in César Franck","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/68358fb5e1abc4be6b0308eb/1749208506823-8285ca3a-aa4b-4fb1-84b8-d1168583ff0b.jpeg?height=200","description":"<p>The Belgian composer César Franck – unfairly associated with kitsch and sentimentality by certain cultural sophisticates – wrote some of the most spiritually inspiring music of the late 19th century.&nbsp;</p><p> </p><p> In this episode of Holy Smoke, Damian Thompson talks to the British-Israeli pianist Ariel Lanyi, who has just recorded Franck’s late masterpiece <em>Prélude, Aria et Final </em>on the Linn label. Ariel discusses the influence of Catholicism and the anti-Catholic Richard Wagner on the devout Franck, who was organist of a church in Paris for 30 years – but reserved his most profound thoughts for ostensibly secular works.&nbsp;</p><p> </p><p> Produced by Patrick Gibbons and Damian Thompson.</p>","author_name":"The Spectator"}