{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67f6cc8f0c09f66202906ee8/6ad4c321336b44639ee0e57a?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Rachel Deutsch","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/67f6cc8f0c09f66202906ee8/1792328443037-119f7ac6-161f-4ea1-bffd-49c08a63f37b.jpeg?height=200","description":"<p>My guest on this episode is Rachel Deutsch. Rachel is a writer, cartoonist, and illustrator whose work has appeared in <em>The New Yorker</em>, <em>PRISM</em>, <em>The Pinch</em>, <em>McSweeney’s</em>, <em>Mother Tongue</em>, <em>Mutha Magazine</em>, and in the popular newsletter <em>ParentData</em> by author Emily Oster. Her first book is the graphic memoir <em>The Mother</em>, published in 2025 by Douglas &amp; McIntyre. Author Ashley Audrain called the book “profound, candid and wonderfully witty,” and “a tender self-reflection about the tumbling journey through early motherhood.”</p><p><br></p><p>Rachel and I talk about the creative tensions that sometimes arise between her illustrator side and her writer side, about why she has not re-read her graphic memoir since it was published, and about being surprised and a little heartened to discover that, even among her fellow <em>New Yorker </em>cartoonists, there is no shortage of imposter syndrome.</p><p><br></p><p><strong>This podcast is produced and hosted by <a href=\"https://www.nathanwhitlock.ca/\" rel=\"noopener noreferrer\" target=\"_blank\">Nathan Whitlock</a>, in partnership with <em><a href=\"https://thewalrus.ca/podcasts/\" rel=\"noopener noreferrer\" target=\"_blank\">The Walrus</a>.</em></strong></p><p><strong>Music: &quot;simple-hearted thing&quot; by <a href=\"https://alukashevsky.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Alex Lukashevsky</a>. Used with permission. </strong></p>","author_name":"Nathan Whitlock"}