{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67ef8d23dd74d6439c160aa5/6aa7dac248975e979551eccc?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Event Horizon","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/67ef8d23dd74d6439c160aa5/1789384785843-44b6e692-30fb-4d24-a5b0-2b5d1493f2cf.jpeg?height=200","description":"<p><em>Event Horizon</em> arrived in cinemas in August 1997 as the third feature from Paul W. S. Anderson, a British director fresh off the surprise success of <em>Mortal Kombat</em> and, evidently, determined to prove there was more to him than adapting a fighting game, so naturally he followed it up with a haunted-house movie set on a spaceship, from a script by first-time writer Philip Eisner that had been quietly sharpened by <em>Se7en</em>'s Andrew Kevin Walker along the way. Rushed through post-production so Paramount could clear the release calendar for a certain iceberg-based prestige picture later that year, it stars Laurence Fishburne and the late, much-missed Sam Neill as, respectively, the no-nonsense rescue captain and the scientist whose grip on reality is doing considerably worse than his ship's hull integrity, sent to reclaim a vessel that vanished 7 years earlier testing an engine nobody fully understood, and which has now come home with a great many unanswered questions and, as it turns out, appreciably worse manners than it left with. But does it deserve a return trip from the oubliette? Find out!</p>","author_name":"Conrad Chambers and Daniel Goh"}