{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67ef8d23dd74d6439c160aa5/6a82bc1fff328abd846c9f5c?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"A Little Princess (1995)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/67ef8d23dd74d6439c160aa5/1786952482081-02fcbccd-7504-4bdb-bfbf-509e9681317c.jpeg?height=200","description":"<p>Thanks to a nomination from our patron, Eddie, we're getting locked in the attic with Alfonso Cuarón's Frances Hodgson Burnett adaptation <em>A Little Princess </em>(1995) – his first English-language film, made with an unknown child lead, a script by <em>The Fisher King</em>'s Richard LaGravenese, and a cinematographer, Emmanuel Lubezki, who'd go on to shoot most of Cuarón's career alongside him. The result, the third screen version of Burnett's 1905 novel after outings for Mary Pickford and Shirley Temple, follows Sara Crewe, a wealthy, warmly imaginative girl deposited at a New York boarding school while her father serves in the First World War — and what happens to both her fortunes and her sense of self once the money, and the news from the front, turn bad. It bombed at the box office on release in May 1995, picked up two Oscar nominations anyway, and quietly became the film Cuarón has called his personal favourite of everything he's directed. But does it deserve to let out of the Oubliette? Find out!</p>","author_name":"Conrad Chambers and Daniel Goh"}