{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67ef8d23dd74d6439c160aa5/6a710354c41b8c1d30364e0c?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Living Dead Girl (with Marta Djordjevic)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/67ef8d23dd74d6439c160aa5/1785790872164-5dde7643-0391-40ec-b2e0-56e76125925b.jpeg?height=200","description":"<p>Marta Djordjevic, host of <a href=\"https://www.rewindandrevive.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Rewind and Revive</a>, returns to introduce us to <em>The Living Dead Girl</em> (1982), Jean Rollin's \"gore film\" that somehow smuggles in all his usual poetry about doomed love, decaying French châteaux, and women who exist somewhere between the living and the dead. The setup is disarmingly simple by Rollin's standards – some careless toxic-waste dumping accidentally resurrects Catherine Valmont, a wealthy young woman two years in her grave, who reconnects with her devoted childhood friend Hélène while working out exactly what a person in her condition needs to survive – but the execution is unmistakably his own: unhurried, melancholic, and considerably bloodier than anything he'd attempted before, landing somewhere between a slasher movie and a tragic romance without ever quite settling on which one it wants to be, which is, frankly, half the fun. But, crucially, does it deserve wander dreamily out of the oubliette? Find out!</p>","author_name":"Conrad Chambers and Daniel Goh"}