{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67ef8d23dd74d6439c160aa5/6a4c223801771200e4dc4737?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Solaris (2002) (with Alex Heeney)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/67ef8d23dd74d6439c160aa5/1783374102042-a29f2d3a-0393-4df2-a62e-a180cc43797e.jpeg?height=200","description":"<p>Alex Heeney, Editor-in-Chief at <a href=\"https://seventh-row.com/author/alex-heeney/\" rel=\"noopener noreferrer\" target=\"_blank\">The Seventh Row</a>, joins us to explore a simulacra of <em>Solaris</em> – Steven Soderberg's remake of the Tarkovsky classic. Produced by James Cameron and led by George Clooney, the result is a lean, melancholic adaptation of Stanisław Lem’s most famous novel. It follows psychologist Chris Kelvin (Clooney) to a failing space station orbiting the enigmatic planet Solaris, where memory, guilt, and desire take physical form in ways that are equal parts sci-fi premise and emotional trap. It's a studio movie with art-film discipline, a romance wrapped inside an existential problem, and an example of the marketing department losing a fight it never fully understood. It underperformed badly at the box office and has largely served as a footnote to discussions of the Tarkovsky original, in the \"oh yeah, <em>that</em> happened\" vein, but does it deserve to be reassessed on its own merits? Find out!</p><p><br></p><p>Alex prepared a special treat for listeners over on Seventh Row: a suggestion for an ideal sci-fi comedy film to watch next after <em>Solaris</em> in which the genders of the main characters are swapped. What to find out more? Head on over to <a href=\"http://seventh-row.com/oubliette\" rel=\"noopener noreferrer\" target=\"_blank\">http://seventh-row.com/oubliette</a> to find out more!</p>","author_name":"Conrad Chambers and Daniel Goh"}