{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67ef8d23dd74d6439c160aa5/69ed266817df632b859a6586?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Phenomena","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/67ef8d23dd74d6439c160aa5/1777149149332-6becbff7-756d-431c-b87c-f092ca73e47e.jpeg?height=200","description":"<p>Dan is back from vacation and treats us to <em>Phenomena</em> (1985) – a supernatural giallo from Dario Argento that features a pre-<em>Labyrinth</em> Jennifer Connelly in a star-making lead as an insect-loving teenager who arrives at a Swiss girls’ school only to sleepwalk into a serial murder case that only becomes more bizarre as the story unravels. Released by New Line Cinema in the U.S. as <em>Creepers</em> (shorn of 30 minutes of its running time), <em>Phenomena</em> emerged in Argento’s most-celebrated period, with the director producing and co-writing with Franco Ferrini, Donald Pleasence as the obligatory learned eccentric, and a soundtrack that behaves like it's had one espresso too many. But is it an under-appreciated piece of Italian art, or an excessive and unruly misstep? Find out!</p>","author_name":"Conrad Chambers and Daniel Goh"}