Our second film for this year will also be our second dip of the toe into the filmography of Lucio Fulci (see episode 158 for our take on Conquest, his bonkers fantasy adventure, with our special guest Vincenzo Natali).
Don’t Torture a Duckling (Non si sevizia un paperino, 1972) is remembered as one of the most unsettling and thematically ambitious entries in the Italian giallo cycle. Its premise is deceptively simple: a series of brutal child murders shatters a seemingly idyllic community, prompting an investigation led by journalist Andrea Martelli (Tomas Milian) and local police. Suspicion falls quickly – and tellingly – on society’s outsiders: a reclusive “witch” (Florinda Bolkan), a mentally vulnerable man, and anyone who doesn't conform to the village’s rigid moral order. As the mystery unfolds, the film reveals a gallery of compromised adults whose piety and respectability mask repression, misogyny, and latent violence.
Should Don’t Torture a Duckling be released from the oubliette and re-examined like an uncomfortable truth finally brought to light, or left buried with Maciara's baby? Find out!
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