{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67e3ff6b84f1e8b70765e94d/68a44da1457a24bb9545873e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Dolphin Embassy","description":"<p><br></p><p>The writer and cultural thinker John Berger once wrote: <em>“The zoo to which people go to meet animals, to observe them, to see them, is, in fact, a monument to the impossibility of such encounters.”</em> For Berger, the ancient relationship between humans and animals had been broken.</p><p><br></p><p>But what if we tried to fix that?</p><p><br></p><p>In the mid-1970s, the architecture and media collective Ant Farm envisioned a floating research base called Dolphin Embassy. On this base, researchers would live side by side with dolphins, learning to communicate with them and even copiloting the vessel together. Conceived as a reaction against consumerism and capitalism, Dolphin Embassy was a hopeful vision of how humanity might repair its broken bond with nature.</p><p><br></p><p>My guest today is Paul Dobraszczyk, a lecturer at the Bartlett School of Architecture in London. He’s the author of books such as <em>Botanical Architecture: Plants, Buildings and Us</em> (Reaktion, 2024) and <em>Animal Architecture: Beasts, Buildings and Us</em> (Reaktion, 2023). His forthcoming book, <em>The Matter of Architecture</em>, will be published by Reaktion next year.</p><p><br></p>","author_name":"Ewan Cameron"}