{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67c9aea877bd2911248357a5/67c9aebebaaeff02dc9a2dd8?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Woman Of The Hour with Ian McDonald","description":"<p>In 1978, a Texan-born man went on national TV, competing in and ultimately winning an episode of the popular American game show The Dating Game. This man was, according to host Jim Lange, a &quot;successful photographer&quot; who you might find &quot;skydiving or motorcycling.&quot; Left out of that description – unknown to Lange, the show&apos;s producers and millions watching at home – was a terrifying secret: that Rodney Alcala was a rapist and murderer, who would eventually be sentenced to life in prison. He died in 2021, leaving behind a terrible legacy of unthinkable violence – conclusively linked to eight murders, with the true number of his victims thought to be closer to 130.<br/><br/>This week on Script Apart, Al is joined by Ian McDonald – the screenwriter behind Woman Of The Hour, an Anna Kendrick-directed thriller telling the tale of Alcala&apos;s Dating Game appearance. Other storytellers might have approached this real-life story determined to answer one question: what possessed a man meant to be lying low, evading the law, to parade himself in front of the nation, for all to see? Ian, though, had a different question that he wanted to get to the bottom of. Never mind the motivations of this cowardly abuser. How was his killing spree enabled by a broader culture of misogyny, prevalent in the media? <br/><br/>To answer that question, the film centres not on Alcala, but on Cheryl Bradshaw, a real-life contestant on that episode of The Dating Game, played by Kendrick. In the spoiler conversation you&apos;re about to hear, you&apos;ll discover why that is, what the meaning of the film&apos;s evocative title is, and what it is about society that seems to reward misogynists – then and now, more than ever.<br/><br/>Script Apart is hosted by <a href='http://www.al-horner.com/'>Al Horner</a> and produced by <a href='https://www.stepthree.co.uk/'>Kamil Dymek</a>. Follow us on <a href='http://instagram.com/scriptapart'>Instagram</a>, or email us on thescriptapartpodcast@gmail.com.<br/><br/>Support for this episode comes from <a href='http://www.screencraft.org/'>ScreenCraft</a>, <a href='http://www.finaldraft.com/'>Final Draft</a> and <a href='http://www.wescreenplay.com/'>WeScreenplay</a>.<br/><br/>To get ad-free episodes and exclusive content, join us on <a href='http://www.patreon.com/scriptapart'>Patreon</a>.</p><p><a rel=\"payment\" href=\"https://patreon.com/scriptapart\">Support the show</a></p>","author_name":"Script Apart"}