{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/679e3aaff0c4d1869108674c/679e3ab91a9314ad31de00ea?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Amadeus (1984 Movie)","description":"<p><a target=\"_blank\" href=\"https://www.buzzsprout.com/twilio/text_messages/2105829/open_sms\">Send us a text</a></p><p>Knock, knock, it’s definitely not Salieri. This week Kim and Alice are taking a look at Pitch Perfect for the Classical era: Amadeus. Why did the film clean up at the Oscars that year? Where does the line between historical truth and allegory begin? And was Mozart the bad-boy version of Hans Zimmer or a divinely talented little nerd?<br/><br/>Sound Engineer: Keith Nagle<br/>Editor: Keith Nagle / Helen Hamilton<br/>Producer: Helen Hamilton</p>","author_name":"Alice Nagle and Kimberly Marsh"}