Ruth Park’s debut novel, The Harp in the South, was first serialized in the Sydney Morning Herald in 1947, provoking angry letters from outraged readers. The book was destined to become an Australian classic. The story follows an Irish Catholic immigrant family - the Darcys - living in the inner-city slum of Surry Hills, as they navigate domestic violence, child prostitution, racism, backstreet abortions, abduction, and alcoholism. Some readers objected to Park’s frank depiction of these social ills. Others claimed her story was exaggerated. And there was general outrage that an outsider - a blow-in from New Zealand, no less - should assume the right to air Sydney’s dirty laundry for all to see.
But The Harp in the South is not a judgmental or moralizing novel. Park, who was living in Surry Hills at the time, simply depicted the world around her. There is no traditional plot to the story. We simply join the Darcys for around three years of their lives and grow to love them despite their flaws. Park finds beauty in the everyday and her prose is often most beautiful when describing unbelievable squalor. Her descriptions of rubbish and dirt are second to none.
In this second episode in our Classic Australia season, we take a leap from Miles Franklin’s charming, sometimes naive, turn-of-the-century rural bildungsroman to Ruth Park’s urban, immigration story that became a template for many of the great Australian novels of the last fifty years, including Christos Tsiolkas’ The Slap (more on that in a few weeks) and Tim Winton’s Cloud Street.
","author_name":"Sophie Gee and Jonty Claypole"}