{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/679c3267811ecd43a9f19b7a/6ab6347f079b46c819fe9d67?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Trashing Up Troy: Shakespeare's Troilus and Cressida","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/679c3267811ecd43a9f19b7a/1790575929524-c4669ceb-cffb-4dd0-9205-40f1a4c490cf.jpeg?height=200","description":"<p>Last month we left listeners with the tantalizing question: what happened next in literary history after Chaucer wrote <em>Troilus and Criseyde</em>? This was a serious cliffhanger, and it’s unforgivable that instead of returning the following week with answers, Sophie and Jonty took off on a literary jaunt to the UK. But now we’re back. </p><p><br></p><p>Shakespeare’s <em>Troilus and Cressida</em>, written sometime around 1602, might be the Bard’s most underrated play. He takes Chacuer’s <em>Troilus and Criseyde</em> story and smashes it together with the <em>Iliad</em>, recently translated into English by George Chapman. Then he adds his own special sauce to hold it all together. Outcome: Shakespeare trashes the two biggest literary movements in 2000 years of European writing, Homeric epic and medieval Courtly Love. </p><p><br></p><p>In Shakespeare’s telling, Troilus and Cressida’s tryst becomes a random(ish) hook up, while Achilles and Hector - the two great heroes of the Trojan war - are vain and cowardly. The play ends in a series of squalid skirmishes and an overpowering sense that, contrary to what Homer and the courtly poets tell us, there is nothing noble about war. Or, for that matter, love.</p>","author_name":"Sophie Gee and Jonty Claypole"}