{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/679c3267811ecd43a9f19b7a/6a87f5bfb0d5e24ea4079720?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Chaucer's Troilus and Criseyde ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/679c3267811ecd43a9f19b7a/1787611708230-7a6458b2-4ca7-4128-bf4a-88c6b15955e7.jpeg?height=200","description":"<p>We’re aware that Chaucer’s epic poem <em>Troilus and Criseyde</em> written in the 1380s might be a tough sell to even the most devoted SLoB listener, but bear with us. <em>Troilus and Criseyde</em> is not a novel, but it bears a lot of features that we associate with novels and reading this novel-length poem takes you into the world and minds of medieval England - albeit transposed to Ancient Troy - by someone who was living there. It has action, betrayal and a racy sex scene. It gives us a new kind of access to characters' inner lives, and it reveals that inwardly people are wildly different from the way they appear. This is a love story that doesn't conform to any of our expectations about medieval love, and a war story that doesn't comply with our expectations of war. There are so many firsts here. We see the invention of the famous British sense of humour captured in real-time by Chaucer, the very guy who invented it. It features the first reconstructed male concerned with consent in literary history and the first dumping by text message - although obviously there’s no phone involved.&nbsp;</p><p><br></p><p><br></p>","author_name":"Sophie Gee and Jonty Claypole"}