Ulysses is a vast novel - over a quarter of a million words. Yet it follows the action of less than 24 hours. To be fair, Joyce packs a lot into that 24 hours. Although our old friend Stephen Daedalus and Leopold Bloom dominate the action, there are over 200 named characters. And, as ever, the most important character is Dublin itself.
The story and structure is loosely modelled on The Odyssey with the different chapters named after episodes in Homer’s poem. The first section follows Stephen Daedalus, just as The Odyssey begins with Odysseus’ son Telemachus. Then Leopold Bloom, a 38 year old Jewish advertising canvasser, takes centre stage with Odysseus’ various adventures given modern-day, satirical equivalents. At the climax, Leopold and Stephen are united and return home, where Molly Bloom - the Penelope of the story - has the final word. The word is ‘yes’, although this is one of the rare occasions where one hearkens after a curmudgeonly ‘no’.
So… like Odysseus finally reaching Ithaca, we have finally reached Ulysses after referring to it, usually in disparaging terms, over the life of this podcast. And the question is, how are we going to approach it? Are we going to fall to our knees and kiss the shores? Or will we grab bow and arrow and lay waste to the palace?
And if you’re concerned we’re sounding just a little too flip, it’s worth remembering that Joyce himself said that Ulysses ‘is fundamentally a humorous work’, filled with word-play, toilet humour and irreverence.
","author_name":"Sophie Gee and Jonty Claypole"}