{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/679c3267811ecd43a9f19b7a/683a829f2780b226c7c87a87?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Oscar Wilde 2: If Looks Could Kill: The Picture of Dorian Gray ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/679c3267811ecd43a9f19b7a/1748837299416-3f315e64-4a91-4761-8bb3-52103b9a2f79.jpeg?height=200","description":"<p><em>The Picture of Dorian Gray</em> is Oscar Wilde’s only novel, and it caused a sensation. It was used as evidence in Wilde’s trial for the crime of “gross indecency” in 1895. The conceit of the story is famous – a portrait grows old and corrupt while its human subject remains eternally youthful. But who knows what really happens in this famous modern myth?</p><p>Sophie and Jonty talk about the influence of Shakespeare, Christopher Marlowe and <em>Dr</em>. <em>Jekyll and Mr. Hyde</em>, and Jonty throws around some exciting legal phrases like the Criminal Law Amendment Act. There’s plenty of discussion of Wilde’s personal obsession with home interiors, as well as a debate about why Wilde is so indebted to Dickens when he’s always going on about his contempt for matters of morality. Find out how a novel that is quintessentially about London is also about Wilde’s Irish identity, and what kind of wallpaper Oscar Wilde had in his student digs at Oxford.&nbsp;As the arch-aphorist and aesthetic rogue Henry Wotton would say, this podcast episode “has all the surprise of candour,” so find out what really happens in this legendary modern myth.</p><p>&nbsp;</p><p>Books referenced or mentioned in this episode:</p><p>Oscar Wilde: A LIfe (2021) by Matthew Sturgis</p><p>Sodomy on the Thames: Sex, Love and Scandal in Wilde Times (2012) by Morris B Kaplan</p><p>Oscar Wilde, <em>The Happy Prince and Other Tales</em> (1888)</p><p>Oscar Wilde, “The Decay of Lying,” “The Soul of Man Under Socialism,” and “The Portrait of Mr. W.H.” (1889)</p><p>Oscar Wilde, <em>The Picture of Dorian Gray</em> (1890)</p><p>Charles Dickens, <em>Oliver Twist</em> (1838)</p><p>Jules Verne, <em>Journey to the Center of the Earth</em> (1864); <em>Twenty-Thousand Leagues Under the Sea</em> (1870); <em>Around the World in Eighty Days </em>(1872)</p><p>Robert Louis Stevenson<em>, Dr. Jekyll and Mr. Hyde</em> (1886)</p><p>Bram Stoker, <em>Dracula </em>(1897)</p><p>H.G. Wells <em>The Time Machine</em> (1895) <em>War of the Worlds</em> (1898)</p><p><br></p><p>-- To join the Secret Life of Books Club visit: www.secretlifeofbooks.org</p><p>-- Please support us on Patreon to keep the lights on in the SLoB studio and get bonus content: patreon.com/secretlifeofbookspodcast</p><p>-- Follow us on our socials:</p><p>youtube: https://www.youtube.com/@secretlifeofbookspodcast/shorts</p><p>insta: https://www.instagram.com/secretlifeofbookspodcast/</p><p>bluesky: @slobpodcast.bsky.social</p>","author_name":"Sophie Gee and Jonty Claypole"}