{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/679c3267811ecd43a9f19b7a/679c327474564c4194d87688?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Midsummer Nights Dream: are true love and sexual attraction magic tricks?","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/679c3267811ecd43a9f19b7a/d98d8b908556a8fb1eca64668f73694a.jpeg?height=200","description":"<p>“The course of true love never did run smooth.” </p><p>It certainly did not in Shakespeare’s psychedelic fantasy about cross-dressing, polyamory, speaking truth to power and tik-tok – centuries before the internet. <em>A Midsummer Night’s Dream</em> is endlessly adapted and readapted. At its heart, it’s a play about the madness and thrill of attraction and love; about how strange it is when one human spots another human to spend their life with. <br/><br/>In this episode there are green fairies who fight and turn flowers into love-potions. Is falling in love always this random and inexplicable? But the really big question is: are the faeries Incredible Hulk Green, or Fungus the Bogeyman Green? Help us decide. </p><p>Will you side with Jonty that the “Rude Mechanicals” are hilarious and the young lovers are a tedious bore – or do you agree with Sophie that Bottom, Snug and Flute are unfunny and that Hermia and Helena are internet influencers before their time? A queen falls in love with a donkey, and the Duke of Athens compares lovers, poets and madmen. </p><p>Join the SLOB team in a moonlit Athenian wood for love and laughs, and a moment of nostalgia for Robert Sean Leonard as Puck in the 1980s hit film <em>Dead Poets’ Society</em>. <br/><br/>-- To join the Secret Life of Books Club visit: www.secretlifeofbooks.org<br/><br/>-- Please support us on Patreon to keep the lights on in the SLoB studio: https://patreon.com/SecretLifeofBooks528?utm_medium=unknown&amp;utm_source=join_link&amp;utm_campaign=creatorshare_creator&amp;utm_content=copyLink<br/><br/><br/><br/>insta: https://www.instagram.com/secretlifeofbookspodcast/<br/>youtube: https://www.youtube.com/@secretlifeofbookspodcast/shorts</p><p>Further Reading:</p><p>William Shakespeare, <em>A Midsummer Night’s Dream</em>, “The New Cambridge Shakespeare.” (2003). <br/><br/>Stephen Greenblatt, <em>Will in the World,</em> (Norton, 2004).</p><p>Jonathan Bate, <em>How the Classics Made Shakespeare</em>, Princeton University Press, 2019.<br/><br/>Leonard Barkan, <em>Reading Shakespeare, Reading Me, </em>(Fordham UP, 2024)</p><p>Bart van Es, “Captive children: John Lyly, A Midsummer Night&apos;s Dream, and child impressment on the early modern stage,” <em>Renaissance Studies</em>, 33;2, 2019.</p><p><br/><br/><br/></p><p><a rel=\"payment\" href=\"https://www.patreon.com/c/SecretLifeofBookspodcast\">Support the show</a></p><p>Producer: Boyd Britton<br/>Digital Content Coordinator: Olivia di Costanzo<br/>Designer: Peita Jackson<br/>Our thanks to the University of Sydney Business School.</p>","author_name":"Sophie Gee and Jonty Claypole"}