{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6799f959a234f420da758f05/6a73b646aa557e62dcdb47dc?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Future Vision: Sirāt and the art of the apocalypse","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6799f959a234f420da758f05/1785967990398-120d8433-82fc-47b7-bdde-3879b21d38d5.jpeg?height=200","description":"<p>What does the end of civilisation look like when you strip away the Hollywood spectacle?</p><p><br></p><p>In this episode of Future Vision, our special series exploring the future of creativity and filmmaking, film journalist Caspar Salmon examines Sirāt — Oliver Laxe’s haunting vision of a world coming apart at the seams, which won the Jury Prize at Cannes in 2025.</p><p><br></p><p>Set among ravers travelling through the deserts of North Africa as war unfolds somewhere beyond the horizon, Sirāt approaches the apocalypse at an unusually human scale. There are no collapsing skyscrapers or armies of extras. Instead, Laxe draws on non-professional actors, documentary-style filmmaking, an unforgiving landscape and a story deliberately untethered from conventional geopolitics.</p><p><br></p><p>From its echoes of Mad Max: Fury Road to the remarkable performance of Sergi López, Caspar explores how Sirāt blurs the boundaries between fiction and reality — and how its small-scale, independent approach creates a depiction of societal collapse that feels all the more immediate, elemental and unsettling.</p>","author_name":"Wondercast Studio"}