{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6799f959a234f420da758f05/6a4e4a6a2b60482dd2e1ed09?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Why space design changed","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6799f959a234f420da758f05/1783501149100-b862954a-6bbc-49a6-8281-9ddf7ad7b945.jpeg?height=200","description":"<p>For centuries, buildings were designed with a single purpose in mind. Theatres staged plays, factories manufactured goods and railway stations moved passengers. Many have since found new lives through adaptation, but today's most successful spaces are increasingly conceived to do far more from the outset.</p><p><br></p><p>Georgina Godwin speaks with Alex Wills, co-founder of Interval, about why flexibility has become one of architecture's most valuable assets. Drawing on a career spanning live events, immersive technology and spatial design, Wills argues that the next generation of buildings will succeed not because they can be repurposed decades later, but because they are designed from day one to accommodate changing audiences, technologies and uses.</p><p><br></p><p>From the engineering behind the Las Vegas Sphere to the evolving campuses of Canary Wharf, 180 Strand and Here East, the conversation explores how developers are rethinking the relationship between space and experience. For Wills, the most important question is no longer what a building looks like, but how it will be used – not just on opening night, but for years to come.</p>","author_name":"Wondercast Studio"}