{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67956b45ec3194f0e021c857/6851bf1868b0c25e38b789d0?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Perfect Metaphor (Michelle K.)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/67956b45ec3194f0e021c857/1750187707826-1d14ef0c-bb84-4516-9870-9f4d0037dd92.jpeg?height=200","description":"<p>What was Emmanuel hiding in the previous episode?</p><p><br></p><p>His relationship with Michelle, known as Gerti. A new character, already briefly glimpsed in episode 2.3. \"Moon in Hell\", where she appeared as a dancer: a woman as fascinating as she is dangerous, who attracts Emmanuel into her network of seduction, drugs and occult interests, typical of esoteric Turin.</p><p><br></p><p>A period of delirium of the senses with tragic and disturbing implications begins for the boy.</p><p><br></p><p>The Interpreters are Vincent-Paul Emmanuel and Frieda (AI).</p><p><br></p><p>During the episode you can hear parts of the following songs: \"Brother James\" and \"Junkie's Promise\" by Sonic Youth, \"Hey\" (instrumental version) and \"Into the White\" by the Pixies, \"Sacrifice\" by Jocelyn Pook.</p>","author_name":"Antonia Del Monaco"}