{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67897856c2824244c2907a11/6adeded13d5c96fab07f31e9?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"How DC and Marvel Must Readjust in a Post-Superhero Fatigue World","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/67897856c2824244c2907a11/1792990884045-a2766019-bfd4-471a-a3b3-599418ffe7f1.jpeg?height=200","description":"<p><strong>How DC and Marvel Must Readjust in a Post-Superhero Fatigue World</strong></p><p>Nerdist argues that the success of <em>Spider-Man: Brand New Day</em> (the biggest domestic box-office hit ever) and <em>Lanterns</em> (one of HBO’s biggest hits) shows the “superhero fatigue” narrative was exaggerated, but that the studios must adapt to a post-peak era (2012–2019). It recommends DC reserve films for the Trinity and Justice League, and for cheaper takes on lesser-known characters like <em>Clayface</em>. Mid-tier heroes like Flash, Nightwing, Catwoman, and Green Arrow should get prestige-TV treatment, in the <em>Lanterns</em> mold, possibly on other streamers. It says <em>Supergirl</em> might have worked better as a <em>Woman of Tomorrow</em> series. It says Marvel should keep focusing on films, since too many Disney+ shows diluted the brand, and that each release needs to feel like an event again. The author concludes both studios should lean on what worked before: Marvel on movies, DC on TV.</p><p>Visit <u><a href=\"https://nerdist.com/article/how-dc-marvel-must-readjust-post-superhero-fatigue-world/\" rel=\"noopener noreferrer\" target=\"_blank\">https://nerdist.com/article/how-dc-marvel-must-readjust-post-superhero-fatigue-world/</a></u> to read or listen to the article.</p><p>Powered by Instaread (https://instaread.co/player)</p>","author_name":"Instaread"}