{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/678043ef60db7f66da40f157/67f1e7ea5ab437be42827c66?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"19. All the Missing Girls (2016) by Megan Miranda","description":"<p>When Nic returns to her small home town in North Carolina to help her brother sell her family home, she's met face-to-face with her past. Coming back home revives her strained relationship with her brother, her feelings for her ex-boyfriend Tyler, and the memories of her best friend Corrine who mysteriously disappeared without a trace. Nic wrestles with these memories while helping to deal with her father who has been placed in a nursing home due to dementia and navigating through selling his estate. However, a new problem arises. A new missing girl. We're asking the tough questions. Is Nic the common link? What could make a thriller literary? Do we begin to write a book in the process of this podcast? What makes a good thriller a good thriller? Hannah Randolph and Aubrey Simmons join us as we answer these and more.</p><p><br></p><p>A Deadman's Books theme song: Surfing! by automaticbananas</p>","author_name":"DreamFactory Podcasts"}