{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6765de47a977962b2ed4c2e1?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Protest and the Play ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6765de47a977962b2ed4c2e1/1734818473700-0f0aaf84-313a-4b9e-be30-b77e43641950.jpeg?height=200","description":"<p>In this two-part series, <em>The Protest and the Play</em>, we look back at two very different plays that were cancelled before they hit the stage – <em>Behzti</em> in 2004 and <em>Exhibit B</em> in 2014 – and use their 10 and 20-year anniversaries as a jumping-off point to ask: where do the limits of artistic freedom lie? Who has the right to tell certain stories? And would these plays be commissioned today?</p><p><br></p><p><em>Behzti</em>, a play by Gurpreet Kaur Bhatti, was cancelled by the Birmingham Reparatory Theatre after protests by members of the Sikh community, who were angered by the playwright’s depiction of a rape in a Gurdwara. The protests caused thousands of pounds in damage and forced the playwright into hiding.</p><p><br></p><p><em>Exhibit B</em>, a performance by the South African artist Brett Bailey, which featured Black actors chained and in cages, was described by its creator as a critique of \"human zoos.\" It received five-star reviews when it opened at the Playfair Library in Edinburgh, but its run at the Barbican Vaults was cut short after a national protest campaign.</p><p><br></p><p><em>The Protest and the Play</em> is presented by Museum of Colour Director Samenua Sesher and actor, playwright, and director Kwame Kwei-Armah.</p>","author_name":"Museum of Colour"}