{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67622f66d9cd65ec1e8a87fa/68b5dbb3c06740a07667f674?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"In-Between Seens","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/67622f66d9cd65ec1e8a87fa/1756748429078-7f29b683-a3cc-4c7d-b1ea-685fce8c3aa8.jpeg?height=200","description":"<p>In this in-between seasons episode, Jason and Dave sit down to hash out their mixed—mostly frustrated—feelings about Zach Cregger’s <em>Weapons</em>. After the runaway success of <em>Barbarian</em>, expectations were sky-high for his follow-up, but what audiences got was a muddled horror mystery that overpromised and underdelivered. The premise—seventeen children vanishing at 2:17 a.m. while one is left behind—had the makings of a chilling thriller, yet the film leans so heavily into atmosphere and shock that it sacrifices character depth and narrative clarity. The result is a movie that feels stylish but hollow, more interested in piling on bizarre twists than building a story worth caring about.</p><p><br></p><p>Throughout the episode, the hosts break down what worked in fleeting moments—some striking visuals, a few tense sequences—but return again and again to the sense of wasted potential. They question whether Justine, the teacher at the story’s center, was ever truly developed as a character, and if the supernatural twist with Gladys the witch actually cheapened the more compelling theme of communal grief and suspicion. Even the surprise casting of Toby Huss feels like a distraction rather than a clever touch. In the end, Jason and Dave agree that <em>Weapons</em> is a rare case of a film collapsing under the weight of its own hype, leaving them more disappointed than disturbed.</p>","author_name":"Jason Davidson"}