{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/674ef0d65e1cc0fabeec0e06/69765e4adeabc5ae9270abdc?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Le film Argo est-il une propagande de la CIA ? avec David Honnorat","description":"<p>Le film Argo raconte l’histoire (vraie) d’une collusion entre la CIA et Hollywood. Et si le scénario lui-même portait la marque du gouvernement américain ?</p><p><br></p><p>David Honnorat :</p><ul><li><a href=\"https://www.youtube.com/@Calmos\" rel=\"noopener noreferrer\" target=\"_blank\">La chaîne YouTube Calmos</a></li><li><a href=\"https://www.youtube.com/channel/UClcl057rqO4w-hMazg71avA\" rel=\"noopener noreferrer\" target=\"_blank\">Le podcast Calmos</a></li><li><a href=\"https://www.hachette.fr/livre/movieland-9782017057697\" rel=\"noopener noreferrer\" target=\"_blank\">Le livre Movieland</a></li></ul><p><br></p><p>Ressources sur les révoltes actuelles en Iran :</p><ul><li><a href=\"https://www.amnesty.org/fr/location/middle-east-and-north-africa/middle-east/iran\" rel=\"noopener noreferrer\" target=\"_blank\">Amnesty International sur l'Iran</a></li><li><a href=\"https://soutenir.msf.fr/faire-un-don/~mon-don\" rel=\"noopener noreferrer\" target=\"_blank\">Faire un don à Médecins sans frontières</a></li><li><a href=\"https://www.youtube.com/watch?v=XMU57lP7SXo\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Voyage interdit au coeur de la \"génération Z\" iranienne</em>, Solène Chalvon-Fioriti, Elephant Doc (2024)</a></li><li><a href=\"https://www.equator.org/articles/iran-explosion-long-in-the-making\" rel=\"noopener noreferrer\" target=\"_blank\">Une interview d'un professeur iranien (en anglais )</a></li><li><a href=\"https://www.equator.org/articles/tehran-diary\" rel=\"noopener noreferrer\" target=\"_blank\">Un texte écrit par un jeune homme à Téhéran (en anglais)</a></li></ul><p><br></p><p>Sources :</p><ul><li><a href=\"http://www.jstor.org/stable/44867510\" rel=\"noopener noreferrer\" target=\"_blank\">Shaw, Tony, and Tricia Jenkins. “From Zero to Hero: The CIA and Hollywood Today.” Cinema Journal 56, no. 2 (2017), pp. 91–113</a></li><li><a href=\"https://doi.org/10.13169/arabstudquar.43.1.0026\" rel=\"noopener noreferrer\" target=\"_blank\">Ali Serdouk, “Hollywood, American Politics, and Terrorism: When Art Turns into a Political Tool\", Arab Studies Quarterly 43, no. 1 (2021), pp. 26–37</a></li><li><a href=\"http://www.jstor.org/stable/43284721\" rel=\"noopener noreferrer\" target=\"_blank\">Michelle C. Pautz, “Argo and Zero Dark Thirty: Film, Government, and Audiences\", PS: Political Science and Politics 48, no. 1 (2015), pp. 120–28</a></li><li><a href=\"http://www.jstor.org/stable/3013974\" rel=\"noopener noreferrer\" target=\"_blank\">Catherine V. Scott, “Bound for Glory: The Hostage Crisis as Captivity Narrative in Iran”, International Studies Quarterly 44, no. 1 (2000), pp. 177–88</a></li><li><a href=\"https://www.researchgate.net/publication/228039839_Television_and_US_Foreign_Policy_The_Case_of_the_Iran_Hostage_Crisis\" rel=\"noopener noreferrer\" target=\"_blank\">James F. Larson, \"Television and U.S. Foreign Policy: The Case of the Iran Hostage Crisis\", Journal of Communication 36(4) (2006), pp. 108 - 130</a></li><li><a href=\"https://link.springer.com/book/10.1057/9781137325860\" rel=\"noopener noreferrer\" target=\"_blank\">Behrooz Moazami, State, Religion, and Revolution in Iran, 1976 to the Present, Palgrave Macmillan (2013)</a></li><li><a href=\"https://www.abebooks.fr/9781873968277/Staging-Revolution-Art-Persuasion-Islamic-1873968272/plp\" rel=\"noopener noreferrer\" target=\"_blank\">Peter Chelkowski and Hamid Dabashi, Staging a Revolution: The Art of Persuasion in the Islamic Republic of Iran, Booth-Clibborn (2002)</a></li><li><a href=\"https://www.goodreads.com/book/show/3272163-the-uses-and-abuses-of-history\" rel=\"noopener noreferrer\" target=\"_blank\">Margaret MacMillan, Dangerous Games: The Uses and Abuses of History, Modern Library (2010)</a></li><li><a href=\"https://www.bloomsbury.com/uk/insurgency-through-culture-and-religion-9780275929022\" rel=\"noopener noreferrer\" target=\"_blank\">Mohammad M. Salehi, Insurgency through Culture and Religion: The Islamic Revolution of Iran, Praeger (1988)</a></li><li><a href=\"https://www.independent.co.uk/voices/hollywood-cia-washington-dc-films-fbi-24-intervening-close-relationship-a7918191.html\" rel=\"noopener noreferrer\" target=\"_blank\">Matthew Alford, \"Washington DC’s role behind the scenes in Hollywood goes deeper than you think\", The Independent (2017)</a></li><li><a href=\"https://vimeo.com/729378065\" rel=\"noopener noreferrer\" target=\"_blank\">Robert Stone, Taken Hostage, Part 1 (2022)</a></li><li><a href=\"https://theseventhwave.org/publication/issue-1/cora-mark-lijek\" rel=\"noopener noreferrer\" target=\"_blank\">Cora Amburn-Lijek &amp; Mark Lijek, \"Based on the Actual Story\", Seventh Wave (2015)</a></li><li><a href=\"https://slate.com/culture/2013/02/argo-fuck-yourself-ben-afflecks-iran-hostage-movie-is-the-worst.html?pay=1769361963111&amp;support_journalism=please\" rel=\"noopener noreferrer\" target=\"_blank\">Kevin B. Lee, \"Argo, F–k Yourself\", Slate (2013)</a></li></ul>","author_name":"Samia Miskina"}