{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67387fbf84d1e023f74b8c16/6a9091177ee847ae729d2525?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Con Report: Anime 2026","description":"<p>In this episode, Alex explores the evolving experience of Anime NYC 2026, weaving together a relaxed Day 4 recap with broader reflections on convention culture. He breaks down a Crunchyroll multi-title screening—A Returner’s Magic Should Be Special (Season 2 Episode 1), Reincarnated as a Slime, FX Fighter Kurumi, Tomb Raider King, and Reincarnated as Space Mercenary—calling out FX Fighter Kurumi for its moe-blob meets financial anxiety vibe and praising Space Mercenary’s confident sci-fi isekai flavor, while noting Returner’s Magic and Tomb Raider King weren’t his thing. Alex highlights the value of voice actor panels through a structured spotlight with Stephanie Sheh, including an anecdote about meeting Makoto Shinkai and the distinctive, all-encompassing process of working on his projects—context fans rarely hear elsewhere. Stepping back, Alex examines Anime NYC’s four-day format, arguing it effectively delivers three full days and advocating for an attendee-friendly “indie day” to elevate first-time and niche panels, provide technical dry runs, and rebalance the corporate tilt. He surveys the con floor’s Artist Alley, financial realities, adult-themed booths, and industry trends like increased LGBTQ+ content and growing interest in Korean and Chinese media. Recorded on August 27, 2026 at 14:52:05, Alex also urges a cultural reset—from big-spend merch habits to renewed show-floor spectacle—pointing listeners to Bento-Box.Ghost.io for his press coverage and an upcoming interview with the director of the new Ghost in the Shell adaptation now airing on Amazon Prime in the U.S.</p>","author_name":"Alex Holt-Cohan"}