{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/67387fbf84d1e023f74b8c16/6997a78cf8a4f13cff17d85d?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"INU-OH","description":"<p>This week on <strong>Bento Radio</strong>, I take a deep dive into <a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">Inu-Oh</a> — the electrifying historical rock opera from <a href=\"about:blank\" rel=\"noopener noreferrer\" target=\"_blank\">Science SARU</a>.</p><p><br></p><p>Set in 14th-century Japan after the fall of the Heike clan, <em>Inu-Oh</em> follows two outcasts — a blind biwa player and a physically deformed Noh performer — who transform forgotten war stories into explosive, rebellious stage performances. But beneath the glam-rock spectacle and surreal animation lies something sharper: a story about disability, censorship, power, and who gets to control cultural memory.</p><p><br></p><p>In this episode, I explore:</p><p><br></p><ul><li>How the film reimagines traditional Noh theater as counterculture</li><li>The role of disability and “otherness” in medieval Japanese society</li><li>Why the shogunate fears art that inspires people</li><li>The tension between state-approved narratives and buried history</li><li>And why this movie feels even more relevant today</li></ul><p><br></p><p><em>Inu-Oh</em> isn’t just visually stunning — it’s a meditation on art as resistance. And while its final act hits hard emotionally, its themes linger long after the music fades.</p>","author_name":"Alex Holt-Cohan"}