{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/672f4a5861e4ef810f7e3ca1/6acfcd785f788808a75c1cb6?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Aliens - with Niall Browne (Movies In Focus)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/672f4a5861e4ef810f7e3ca1/1792001990632-47cf0780-209c-4c5d-b5ac-2dadfe22f73f.jpeg?height=200","description":"<p>Today we’re checking our corners and staying frosty, because we are entering the ultimate cinematic pressure cooker. We’re strapping into our power loaders to dissect a score that is pure, unadulterated auditory dread—James Horner’s frantic, brilliant, and notoriously rushed soundtrack to the 1986 masterpiece, Aliens. It’s a musical beast so gripping it’ll practically burst right through your chest—metaphorically speaking, of course. And because I couldn&#39;t possibly face a hive of xenomorphs without some serious tactical backup, I’m joined by a man who knows exactly when to say &quot;game over, man, game over,&quot; it’s the brilliant Niall Browne from the Movies In Focus podcast! But is James Horner’s score for Aliens a worthy successor to Jerry Goldsmith? Well in short, yes! So buckle up, we’re in the pipe 5 by 5!</p><p><br></p><p>The Scores Are Not Enough is an unofficial entity, and in no way affiliated with Brandywine Productions or 20th Century Fox, all copyrights and trademarks, remain the sole property of the original holders. The Scores Are Not Enough is not associated in any way, with those mentioned above. This is an independent podcast to provide reference, opinions, and commentary on the scores of the sci-fi and fantasy films .Copyright information pertaining to all other content is retained by the original holders.</p><p>Score composed by James Horner soundtrack release via \tVarèse Sarabande, 1986, all rights reserved.</p><p>&#39;Loving The Alien&#39; written and performed by David Bowie, released through EMI America, 1984, all rights reserved.</p>","author_name":"Rich Marsden"}